Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. In quiet streets of stately houses, she caught glimpses through uncurtained windows of richly-laid dinner-tables about which servants moved noiselessly, arranging flowers and silver. She wondered idly if she would every marry. A gracious hostess, gathering around her brilliant men and women, statesmen, writers, artists, captains of industry: counselling them, even learning from them: encouraging shy genius. Perhaps, in a perfectly harmless way, allowing it the inspiration derivable from a well-regulated devotion to herself. A salon that should be the nucleus of all those forces that influence influences, over which she would rule with sweet and wise authority. The idea appealed to her.!

Mary gave her a hug, and almost ran away. Joan watched the little child-like figure growing smaller. It glided in and out among the people. Mr. Simson fidgeted. The quiet of the room, broken only by Mary’s ministering activities, evidently oppressed him.

She knew the place. A sad group of dilapidated little houses forming three sides of a paved quadrangle, with a shattered fountain and withered trees in the centre. Ever since she could remember, they had stood there empty, ghostly, with creaking doors and broken windows, their gardens overgrown with weeds. Sometimes they agreed it was the newspapers that made war—that fanned every trivial difference into a vital question of national honour—that, whenever there was any fear of peace, re-stoked the fires of hatred with their never-failing stories of atrocities. At other times they decided it was the capitalists, the traders, scenting profit for themselves. Some held it was the politicians, dreaming of going down to history as Richelieus or as Bismarcks. A popular theory was that cause for war was always discovered by the ruling classes whenever there seemed danger that the workers were getting out of hand. In war, you put the common people back in their place, revived in them the habits of submission and obedience. Napoleon the Little, it was argued, had started the war of 1870 with that idea. Russia had welcomed the present war as an answer to the Revolution that was threatening Czardom. Others contended it was the great munition industries, aided by the military party, the officers impatient for opportunities of advancement, the strategists eager to put their theories to the test. A few of the more philosophical shrugged their shoulders. It was the thing itself that sooner or later was bound to go off of its own accord. Half every country’s energy, half every country’s time and money was spent in piling up explosives. In every country envy and hatred of every other country was preached as a religion. They called it patriotism. Sooner or later the spark fell. They looked at one another, and then beyond the sheltering evergreens and the wide lawns to where the great square house seemed to be listening.